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Which Way Up? [Part 2]

Thursday, February 12, 2009
Chapter 2: The Source
As the backbone of the portable rig, the least you can do is make sure your source is up to common standard. If you already have a portable source at hand, you might want to take this part as your future buying guideline. If you are in market for a new source, here are a few advise.

First, read reviews from multiple sources. You might want to know that some big website prefer a certain brand while some reviewers bias against a certain brand - you want to read as much as you could when it comes to review (any kind of review!).

Second, do note that there are more than just sound quality to consider. You will want to know about the size, general build quality, customer support, firmware upgrade, capacity upgrade (like SD card support) and one of the most important: format support. I think it is needless for me to tell you that switching from iPod to a WMP11 (Windows Media Player 11) supported audio player means you will loss support for the iPod's music library you already built up. Vise verse, the songs you purchased online for your Creative or Sandisk player will have DRM that stop them from playing on iPod. This goes back to the previous chapter - you want to make sure the format of your music is compatible not just to your current player, but to your future player as well. It is still a very painful process to rebuild your music collection even if your next player sounds ten times better than you current one.


Chapter 3: The Headphone
Once you have yourself a good quality source and some high quality music, you can start to look into headphone upgrade.

First, set a budget. As audiophiles' headphones go, they can be very expensive. You want to make sure you are getting a headphone that well matches your source. You don't want something too expensive but you won't want to cut your budget too low either. For the current earphones' (earbud and IEM) market, $50 to $100 will give you a good start, $100 to $200 will give you a very good selection. Anything beyond $200 is targeted at audiophiles (= mad people that will do anything for sound quality). If you are in a tight budget, there are still some good option at the sub$50 market, but you will have to be extra hardworking to find them. Most of them are hidden pearl that you can only find in forum discussion, not big review site.

Second, make sure you know where/how the headphone will be used. As portable rig goes, you don't want earbud when you are in library, nor will you want IEM when you need to be in constant communication. Find out whether you can stand earbud or IEM before you purchased. There is no point to buy a headphone when you can't even used it more than 5 minutes.

Third, look for the best sound quality headphone that fit your taste. Reviews often only tell. what the reviewer believes to have good sound quality. What most don't tell is that each reviewer has a unique taste of music, and most will not match yours. You want to be sure that you are getting something that match your taste, even when it is not the best sounding you can afford (as you might not enjoy it).

To be continued...

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